Founded in 1505, the Monastery of Saint María del Rosario is one of the largest religious temples in the town. Architecturally, its cloister, with 56 columns, stands out. It had a period of great splendor during the 18th century, due to the great wisdom attributed to the monks who lived there. The confiscations of Mendizábal in 1895 led to the abandonment of many religious orders, including this monastery. A tower and part of its walls are still preserved today.

Part of a series of hydraulic constructions from the 16th century, the Arch Mill is a remnant of these buildings that supplied water to the municipality. Considered to be one of the sections of the canal, the mill has a ‘lieva’, an architectural resource whose purpose was to provide the right height for the water to fall into the containers.

One of the greatest examples of the Christian reconquest and Renaissance architectural influence is the Castle-Palace of the Ribera. The fortification, which originally served as a Muslim bastion, only conserves some of its walls from this period. It was not until the 16th century that it was restored and transformed into a palace in the architectural style characteristic of the early Hispanic Renaissance. Finally, it should be noted that the complex was the property of the Medinaceli family until its subsequent acquisition in 1949 by the town council of Bornos.

The House of the Cilla is an emblematic building from the end of the 18th century that was used as a place to collect ecclesiastical tithes. The pink color of its façade has been preserved. It is currently a private property that has been restored and converted into a house.

According to preserved documents, the Calvary Hermitage was built at the end of the 15th century, thanks to donations from devotees of the municipality and at the request of Father Mariscal. The temple would be enlarged with an additional room shortly after its construction, at the hands of a hermit called Brother Mendoza. It would be the Franciscans of the Convent of Saint Bernardino who would take charge of the hermitage, even making a Way of the Cross, of which crosses and chapels indicating the stations are still preserved. An image of Saint Francisco de Paula, dating from the first half of the 18th century, is venerated in the chapel, although other religious figures, such as Saint Rosa de Viterbo, Saint Juan Evangelista and María Santísima de la Soledad, are also worshiped.

The Blood School is a building constructed in 1597 with the aim of being a residence for twelve servant squires of the house of the Lord Duke, as well as other nobles. With only one floor, the building has been reconstructed by the Town Hall and serves as an extension of an educational center.

One of the main attractions for visitors to the municipality is to visit the Gardens of the Palace of the Ribera, of Renaissance character and with a clear inspiration in the Vatican orchards. Declared of Cultural Interest due to their historical value, the gardens were part of the extension carried out in the 15th century.

Built by order of the first Duke of Alcalá and Marquis of Tarifa in his will, the Convent of Corpus Christi was inaugurated in 1597 as a convent and was first occupied by nuns of the Cistercian order. From its foundation until its subsequent closure, the Convent suffered several fires, most notably that of 1685, which reduced the chapel to ashes. The building was bought by the Town Hall after its abandonment and was ceded to the Jerez Savings Bank, which was in charge of restoring it and converting it into the current high school.

The Parish Church of Saint Domingo de Guzmán is a religious temple whose date of construction is unknown. Two different architectural orders coexist in it: the ogival -currently much reformed- and the baroque. With a rectangular floor plan and three naves, the building has a bell tower attached to its façade, which dates from 1732. The most valuable element of this basilica is the stonework on its façade, which, although not being completed, tells that the relics of Saint Tomé, Saint Dionysius, Saint Cosmas and Saint Daniel, Saint Afra, Saint Sebastian and Saint Sabas, all martyrs, were kept there.

Bornos has a unique tourist attraction in the whole of Andalusia, the Loggia. This gallery, or succession of arches, is the only vestige of a Pompeian main façade from the 16th century that remains in the whole of the autonomous community. It was commissioned by the lords of Bornos, who wanted to erect an open-air art gallery. This composition by Benvenuto Tortello consists of a structure of arches ending in a classical Roman frieze and containing statues, which are now in the House of Pilatos in Seville.

During the 16th century, a native of Bornos, Diego Álvarez, left a commission in his will for the construction of a house-hospital and a church. From this order, the Church of the Resurrection only remains, which houses a magnificent gilded Baroque altarpiece with Solomonic columns. It also houses a 17th century image of the Cristo de la Flagelación and a painting of the Virgen de los Dolores.

The House Ordoñez is one of the most emblematic buildings in the town. Built in the second half of the 17th century, it served as a home for noblemen. The dwelling, built on two floors, was inhabited by the Muñoz de Mendoza family. One of the ladies of the family married Francisco Ordoñez, who would hold the titles of Major sub-lieutenant and Lieutenant of the Corregidor of Bornos, also giving his name to the house.